Peter Bjuhr Works

Selected works 2004-

the 7th flavour


the 7th flavour

Creation Year: 2011

Description: 2 electric guitars, 1 electric bass
Piece exploring the border between sound art and music, with the aid of the electric instruments. Using references to Beethoven's seventh symphony and to songs by Red Hot Chili Peppers, hence the title.

Duration: ca 11 min.

Written for: Krock

Commissioned by: C-Y contemporary

First performance: Malmoe 17 Mars 2012

Absorb, Alter and Dissolve


Absorb, Alter and Dissolve

Creation Year: 2011

Description: Jazztrio
I. On Archaic ground, II. New and inherited patterns, III. Deconstruction
The three sections are based on three different approaches to the interplay between art music and jazz. But the idea has always been to put it into a larger context. I am interested in how different cultural traditions in general can change. And I think I have found three important ways: 1) one tradition can change by absorbing features from a different tradition, 2) it can change with very careful and deliberate alteration, and 3) it can be changed by more radical dissolution of the structures that defines the culture. I would also point out that there is no intention to change the jazz tradition as the jazztrio stands for, but instead explore these ideas in a sound collage-like composition.

Duration: ca 9 min

Written for: Magnus Hjorth Trio

Commissioned by: C-Y ContemporarY

First performance: Skissernas Museum, Lund, Sweden, 2011-09-29

Green Future?


Green Future?

Creation Year: 2008/2011

Description: String quartet and percussion
We all have to relate to the much feared threats to our environment in some way. How will our world be changed in the future if the temperature keeps rising? In the current situation we have to try to change something, but should we go "back to nature" in some sense or will we solve the problem with technological means? One thing is clear though, we can't go back in time to how it was before.

Duration: ca 8 min.

Written for: Bo Håkansson

Commissioned by: Bo Håkansson

First performance: 11-08-06 Trakai Galve Hall, Lithuania

Publisher:Not yet published. Request from composer.

Audio sample: mp3

Strings, Skins and Wood


Strings, Skins and Wood

Creation Year: 2009

Description: Harp and percussion.
The piece centers mostly around the harp and its possibilities and limitations, viewed differently from the perspective of the harpist and the percussionist.

Duration: ca 8 min

Written for: Duo Harpverk: Katie Buckley - harp and Frank Aarnink - percussion

Commissioned by: Duo Harpverk duoharpverk.com

First performance: 2011-02-12 Amsterdam, Icelandic Music Days festival

Publisher:SMIC

TheMusArt


TheMusArt

Creation Year: 2010

Description: Flute, Recorder/Crumhorn, Alto Trombone,Guitar, Contrabass,Percussion
Eclectic and interdisciplinary piece which touches on many different subjects and perhaps evokes some interesting questions.

Duration: ca 15 min

Written for: ENM - Ensemble for New Music

Commissioned by: ENM - Ensemble for New Music

First performance: Malmö 2011-01-27

IEI – Interpret, Express and Interact!


IEI - Interpret, Express and Interact!

Creation Year: 2010

Description: any wind instrument and percussion (with optional non-pitch instruments)
Written for the exciting (jazz) duo Medi, but performable for any duo with wind and percussion.

Duration: ca 15 min

Written for: Medi - Ida Karlsson and Emeli Ek

Commissioned by: C-Y contemporary

First performance: 2010-12-02 Skånes scene for Live- and performance art, Malmö

Publisher:Scribd

Mental Journey

Eclectic piece which amounts to a mental jogging journey in both time and space.


Mental Journey

Creation Year: 2010

Description: Recorder, Tenor saxophone, Banjo/Ukulele or Guitar, Viola.
Prologue: Now, Going west, Going east or further west, Going back, Epilogue: Forward
A piece about keeping an open mind against cultures and ideas that perhaps feels foreign in one way or another; in this is also included to keep an open mind about the past and the future.

Duration: ca 9 min

Written for: ContemporarY Ensemble

First performance: 2010-11-14 Palladium, Malmö

Publisher:Not yet published. Request from composer.

3PI – Four concertos for saxophone and chamber orchestra

A series of four concertos for each of the instruments in a saxophone quartet and chamber orchestra, composed parallelly with similar form but different historical references.


3 Part Intervention

Creation Year: 2009-10

Description: Part of a series with four concertos for each of the instruments in a saxophone quartet and chamber orchestra.
Interference with baroque (soprano sax).
I. fantasia concertante, II. trio toccata, III. concerto gioioso.
Soprano sax and chamber ensemble/orchestra (alto flute, bass clarinet, vibraphone, percussion, harpsichord and strings)

Duration: ca 18 min.

Written for: Johnny Hedlund

Commissioned by: Johnny Hedlund

First performance: 2010-04-20 Palladium, Malmö

BriSiCoApPe

Incorporating ideas from modern art; inspired by a description of postmodern art. Written for the exciting Swedish/Norwegian ensemble Nordic Fusion 6.


BriSiCoApPe

Creation Year: 2009

Description: Trumpet, baritone sax, clarinet, cello, piano, percussion and tape
Piece in five sections which each reflects a different trait in postmodern art:
1. Bricolage (using whatever happens to be available) - the percussionist is using available stuff.
2. Simplification - simplified and minimalistic using only a few notes and durations.
3. Collage - short contrasting musical fragments with references to different styles.
4. Appropriation (taking possession) - borrowing from older styles of music.
5. Performance - performing words and very short sections with pop references.

Duration: ca 10 min

Written for: Nordic Fusion 6

Commissioned by: Nordic Fusion 6

First performance: Tromsø, KontAk-festivalen, 2010-03-05

Publisher:SMIC