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	<title>Peter Bjuhr Works</title>
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	<link>http://composerpeterbjuhr.com/works</link>
	<description>Selected works 2004-</description>
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		<title>the 7th flavour</title>
		<link>http://composerpeterbjuhr.com/works/?p=75</link>
		<comments>http://composerpeterbjuhr.com/works/?p=75#comments</comments>
		<pubDate>Thu, 15 Mar 2012 11:18:22 +0000</pubDate>
		<dc:creator>PeterBjuhr</dc:creator>
				<category><![CDATA[recent works]]></category>

		<guid isPermaLink="false">http://composerpeterbjuhr.com/works/?p=75</guid>
		<description><![CDATA[<table cellspacing="1" cellpadding="1">
<tr>
<td>
<table width="600" cellspacing="0" cellpadding="5" align="right"><tr valign="top">
<td width="250"></td>
<td width="450">
<br>
</td>
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<tr valign="top">
<td width="250"></td>
<td width="450"><b>the 7th flavour</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2011<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">2 electric guitars, 1 electric bass<br>
Piece exploring the border between sound art and music, with the aid of the electric instruments. Using references to Beethoven's seventh symphony and to songs by Red Hot  Chili Peppers, hence the title.
<br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 11 min.<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">Krock<br>
<br>
</td>
</tr><tr valign="top">
<td>Commissioned by:</td>
<td class="smallText">C-Y contemporary<br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">Malmoe 17 Mars 2012<br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></description>
			<content:encoded><![CDATA[<table cellspacing="1" cellpadding="1">
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<br>
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<tr valign="top">
<td width="250"></td>
<td width="450"><b>the 7th flavour</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2011<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">2 electric guitars, 1 electric bass<br>
Piece exploring the border between sound art and music, with the aid of the electric instruments. Using references to Beethoven's seventh symphony and to songs by Red Hot  Chili Peppers, hence the title.
<br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 11 min.<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">Krock<br>
<br>
</td>
</tr><tr valign="top">
<td>Commissioned by:</td>
<td class="smallText">C-Y contemporary<br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">Malmoe 17 Mars 2012<br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></content:encoded>
			<wfw:commentRss>http://composerpeterbjuhr.com/works/?feed=rss2&#038;p=75</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Absorb, Alter and Dissolve</title>
		<link>http://composerpeterbjuhr.com/works/?p=72</link>
		<comments>http://composerpeterbjuhr.com/works/?p=72#comments</comments>
		<pubDate>Sat, 01 Oct 2011 13:50:48 +0000</pubDate>
		<dc:creator>PeterBjuhr</dc:creator>
				<category><![CDATA[recent works]]></category>

		<guid isPermaLink="false">http://composerpeterbjuhr.com/works/?p=72</guid>
		<description><![CDATA[<table cellspacing="1" cellpadding="1">
<tr>
<td>
<table width="600" cellspacing="0" cellpadding="5" align="right"><tr valign="top">
<td width="250"></td>
<td width="450">
<br>
</td>
</tr>
<tr valign="top">
<td width="250"></td>
<td width="450"><b>Absorb, Alter and Dissolve</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2011<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">Jazztrio<br>
I. On Archaic ground, II. New and inherited patterns, III. Deconstruction<br>
The three sections are based on three different approaches to the interplay between art music and jazz. But the idea has always been to put it into a larger context. I am interested in how different cultural traditions in general can change. And I think I have found three important ways: 1) one tradition can change by absorbing features from a different tradition, 2) it can change with very careful and deliberate alteration, and 3) it can be changed by more radical dissolution of the structures that defines the culture. I would also point out that there is no intention to change the jazz tradition as the jazztrio stands for, but instead explore these ideas in a sound collage-like composition.<br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 9 min<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">Magnus Hjorth Trio<br>
<br>
</td>
</tr><tr valign="top">
<td>Commissioned by:</td>
<td class="smallText">C-Y ContemporarY<br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">Skissernas Museum, Lund, Sweden, 2011-09-29<br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></description>
			<content:encoded><![CDATA[<table cellspacing="1" cellpadding="1">
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<td width="450">
<br>
</td>
</tr>
<tr valign="top">
<td width="250"></td>
<td width="450"><b>Absorb, Alter and Dissolve</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2011<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">Jazztrio<br>
I. On Archaic ground, II. New and inherited patterns, III. Deconstruction<br>
The three sections are based on three different approaches to the interplay between art music and jazz. But the idea has always been to put it into a larger context. I am interested in how different cultural traditions in general can change. And I think I have found three important ways: 1) one tradition can change by absorbing features from a different tradition, 2) it can change with very careful and deliberate alteration, and 3) it can be changed by more radical dissolution of the structures that defines the culture. I would also point out that there is no intention to change the jazz tradition as the jazztrio stands for, but instead explore these ideas in a sound collage-like composition.<br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 9 min<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">Magnus Hjorth Trio<br>
<br>
</td>
</tr><tr valign="top">
<td>Commissioned by:</td>
<td class="smallText">C-Y ContemporarY<br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">Skissernas Museum, Lund, Sweden, 2011-09-29<br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></content:encoded>
			<wfw:commentRss>http://composerpeterbjuhr.com/works/?feed=rss2&#038;p=72</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Green Future?</title>
		<link>http://composerpeterbjuhr.com/works/?p=61</link>
		<comments>http://composerpeterbjuhr.com/works/?p=61#comments</comments>
		<pubDate>Mon, 01 Aug 2011 13:01:44 +0000</pubDate>
		<dc:creator>PeterBjuhr</dc:creator>
				<category><![CDATA[recent works]]></category>

		<guid isPermaLink="false">http://composerpeterbjuhr.com/works/?p=61</guid>
		<description><![CDATA[<table cellspacing="1" cellpadding="1">
<tr>
<td>
<table width="600" cellspacing="0" cellpadding="5" align="right"><tr valign="top">
<td width="250"></td>
<td width="450">
<br>
</td>
</tr>
<tr valign="top">
<td width="250"></td>
<td width="450"><b>Green Future?</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2008/2011<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">String quartet and percussion<br>
We all have to relate to the much feared threats to our environment in some way. How will our world be changed in the future if the temperature
keeps rising? In the current situation we have to try to change something, but should we go "back to nature" in some sense or will we solve
the problem with technological means? One thing is clear though, we can't go back in time to how it was before.<br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 8 min.<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">Bo Håkansson<br>
<br>
</td>
</tr><tr valign="top">
<td>Commissioned by:</td>
<td class="smallText">Bo Håkansson<br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">11-08-06 Trakai Galve Hall, Lithuania<br>
<br>
</td>
</tr><tr valign="top">
<td>Publisher:</td><td class="smallText"><a href="http://composerpeterbjuhr.com/works/?page_id=41" target="_blank">Not yet published. Request from composer.</a><br>
<br>
</td>
</tr><tr valign="top"><td>Audio sample:</td><td>
<a href="./mediafiles/GreenFutureClN.mp3" target="_blank">mp3</a><br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></description>
			<content:encoded><![CDATA[<table cellspacing="1" cellpadding="1">
<tr>
<td>
<table width="600" cellspacing="0" cellpadding="5" align="right"><tr valign="top">
<td width="250"></td>
<td width="450">
<br>
</td>
</tr>
<tr valign="top">
<td width="250"></td>
<td width="450"><b>Green Future?</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2008/2011<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">String quartet and percussion<br>
We all have to relate to the much feared threats to our environment in some way. How will our world be changed in the future if the temperature
keeps rising? In the current situation we have to try to change something, but should we go "back to nature" in some sense or will we solve
the problem with technological means? One thing is clear though, we can't go back in time to how it was before.<br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 8 min.<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">Bo Håkansson<br>
<br>
</td>
</tr><tr valign="top">
<td>Commissioned by:</td>
<td class="smallText">Bo Håkansson<br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">11-08-06 Trakai Galve Hall, Lithuania<br>
<br>
</td>
</tr><tr valign="top">
<td>Publisher:</td><td class="smallText"><a href="http://composerpeterbjuhr.com/works/?page_id=41" target="_blank">Not yet published. Request from composer.</a><br>
<br>
</td>
</tr><tr valign="top"><td>Audio sample:</td><td>
<a href="./mediafiles/GreenFutureClN.mp3" target="_blank">mp3</a><br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></content:encoded>
			<wfw:commentRss>http://composerpeterbjuhr.com/works/?feed=rss2&#038;p=61</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Strings, Skins and Wood</title>
		<link>http://composerpeterbjuhr.com/works/?p=54</link>
		<comments>http://composerpeterbjuhr.com/works/?p=54#comments</comments>
		<pubDate>Sat, 12 Feb 2011 19:30:58 +0000</pubDate>
		<dc:creator>PeterBjuhr</dc:creator>
				<category><![CDATA[recent works]]></category>

		<guid isPermaLink="false">http://composerpeterbjuhr.com/works/?p=54</guid>
		<description><![CDATA[<table cellspacing="1" cellpadding="1">
<tr>
<td>
<table width="600" cellspacing="0" cellpadding="5" align="right"><tr valign="top">
<td width="250"></td>
<td width="450">
<br>
</td>
</tr>
<tr valign="top">
<td width="250"></td>
<td width="450"><b>Strings, Skins and Wood</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2009<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">Harp and percussion.<br>
The piece centers mostly around the harp and its possibilities and limitations, viewed differently from the perspective of the harpist and the percussionist. <br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 8 min<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">Duo Harpverk: Katie Buckley - harp and Frank Aarnink - percussion<br>
<br>
</td>
</tr><tr valign="top">
<td>Commissioned by:</td>
<td class="smallText">Duo Harpverk <a href="http://www.duoharpverk.com" target="_blank">duoharpverk.com</a><br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">2011-02-12 Amsterdam, Icelandic Music Days festival<br>
<br>
</td>
</tr><tr valign="top">
<td>Publisher:</td><td class="smallText"><a href="http://www.mic.se/avd/mic/prod/micv5.nsf/docsbycodename/single_object!OpenDocument&external=http://www.mic.se/avd/mic/prod/musiklass.nsf/V5SiteSearchSwe/5B42BCADD667FC66C12578250074F9FB" target="_blank">SMIC</a><br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></description>
			<content:encoded><![CDATA[<table cellspacing="1" cellpadding="1">
<tr>
<td>
<table width="600" cellspacing="0" cellpadding="5" align="right"><tr valign="top">
<td width="250"></td>
<td width="450">
<br>
</td>
</tr>
<tr valign="top">
<td width="250"></td>
<td width="450"><b>Strings, Skins and Wood</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2009<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">Harp and percussion.<br>
The piece centers mostly around the harp and its possibilities and limitations, viewed differently from the perspective of the harpist and the percussionist. <br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 8 min<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">Duo Harpverk: Katie Buckley - harp and Frank Aarnink - percussion<br>
<br>
</td>
</tr><tr valign="top">
<td>Commissioned by:</td>
<td class="smallText">Duo Harpverk <a href="http://www.duoharpverk.com" target="_blank">duoharpverk.com</a><br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">2011-02-12 Amsterdam, Icelandic Music Days festival<br>
<br>
</td>
</tr><tr valign="top">
<td>Publisher:</td><td class="smallText"><a href="http://www.mic.se/avd/mic/prod/micv5.nsf/docsbycodename/single_object!OpenDocument&external=http://www.mic.se/avd/mic/prod/musiklass.nsf/V5SiteSearchSwe/5B42BCADD667FC66C12578250074F9FB" target="_blank">SMIC</a><br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></content:encoded>
			<wfw:commentRss>http://composerpeterbjuhr.com/works/?feed=rss2&#038;p=54</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>TheMusArt</title>
		<link>http://composerpeterbjuhr.com/works/?p=52</link>
		<comments>http://composerpeterbjuhr.com/works/?p=52#comments</comments>
		<pubDate>Thu, 27 Jan 2011 15:28:52 +0000</pubDate>
		<dc:creator>PeterBjuhr</dc:creator>
				<category><![CDATA[recent works]]></category>

		<guid isPermaLink="false">http://composerpeterbjuhr.com/works/?p=52</guid>
		<description><![CDATA[<table cellspacing="1" cellpadding="1">
<tr>
<td>
<table width="600" cellspacing="0" cellpadding="5" align="right"><tr valign="top">
<td width="250"></td>
<td width="450">
<br>
</td>
</tr>
<tr valign="top">
<td width="250"></td>
<td width="450"><b>TheMusArt</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2010<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">Flute, Recorder/Crumhorn, Alto Trombone,Guitar, Contrabass,Percussion
<br>
Eclectic and interdisciplinary piece which touches on many different subjects and perhaps evokes some interesting questions.<br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 15 min<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">ENM - Ensemble for New Music<br>
<br>
</td>
</tr><tr valign="top">
<td>Commissioned by:</td>
<td class="smallText">ENM - Ensemble for New Music<br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">Malmö 2011-01-27<br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></description>
			<content:encoded><![CDATA[<table cellspacing="1" cellpadding="1">
<tr>
<td>
<table width="600" cellspacing="0" cellpadding="5" align="right"><tr valign="top">
<td width="250"></td>
<td width="450">
<br>
</td>
</tr>
<tr valign="top">
<td width="250"></td>
<td width="450"><b>TheMusArt</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2010<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">Flute, Recorder/Crumhorn, Alto Trombone,Guitar, Contrabass,Percussion
<br>
Eclectic and interdisciplinary piece which touches on many different subjects and perhaps evokes some interesting questions.<br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 15 min<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">ENM - Ensemble for New Music<br>
<br>
</td>
</tr><tr valign="top">
<td>Commissioned by:</td>
<td class="smallText">ENM - Ensemble for New Music<br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">Malmö 2011-01-27<br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></content:encoded>
			<wfw:commentRss>http://composerpeterbjuhr.com/works/?feed=rss2&#038;p=52</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>IEI &#8211; Interpret, Express and Interact!</title>
		<link>http://composerpeterbjuhr.com/works/?p=37</link>
		<comments>http://composerpeterbjuhr.com/works/?p=37#comments</comments>
		<pubDate>Thu, 04 Nov 2010 13:49:09 +0000</pubDate>
		<dc:creator>PeterBjuhr</dc:creator>
				<category><![CDATA[recent works]]></category>

		<guid isPermaLink="false">http://composerpeterbjuhr.com/works/?p=37</guid>
		<description><![CDATA[<table cellspacing="1" cellpadding="1">
<tr>
<td>
<table width="600" cellspacing="0" cellpadding="5" align="right"><tr valign="top">
<td width="250"></td>
<td width="450">
<br>
</td>
</tr>
<tr valign="top">
<td width="250"></td>
<td width="450"><b>IEI - Interpret, Express and Interact!</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2010<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">any wind instrument
and
percussion (with optional non-pitch
instruments)<br>
Written for the exciting (jazz) duo Medi, but performable for any duo with wind and percussion.<br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 15 min<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">Medi - Ida Karlsson and Emeli Ek<br>
<br>
</td>
</tr><tr valign="top">
<td>Commissioned by:</td>
<td class="smallText">C-Y contemporary<br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">2010-12-02 Skånes scene for Live- and performance art, Malmö<br>
<br>
</td>
</tr><tr valign="top">
<td>Publisher:</td><td class="smallText"><a href="http://www.scribd.com/doc/85035170/IEI" target="_blank">Scribd</a><br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></description>
			<content:encoded><![CDATA[<table cellspacing="1" cellpadding="1">
<tr>
<td>
<table width="600" cellspacing="0" cellpadding="5" align="right"><tr valign="top">
<td width="250"></td>
<td width="450">
<br>
</td>
</tr>
<tr valign="top">
<td width="250"></td>
<td width="450"><b>IEI - Interpret, Express and Interact!</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2010<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">any wind instrument
and
percussion (with optional non-pitch
instruments)<br>
Written for the exciting (jazz) duo Medi, but performable for any duo with wind and percussion.<br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 15 min<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">Medi - Ida Karlsson and Emeli Ek<br>
<br>
</td>
</tr><tr valign="top">
<td>Commissioned by:</td>
<td class="smallText">C-Y contemporary<br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">2010-12-02 Skånes scene for Live- and performance art, Malmö<br>
<br>
</td>
</tr><tr valign="top">
<td>Publisher:</td><td class="smallText"><a href="http://www.scribd.com/doc/85035170/IEI" target="_blank">Scribd</a><br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></content:encoded>
			<wfw:commentRss>http://composerpeterbjuhr.com/works/?feed=rss2&#038;p=37</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Mental Journey</title>
		<link>http://composerpeterbjuhr.com/works/?p=34</link>
		<comments>http://composerpeterbjuhr.com/works/?p=34#comments</comments>
		<pubDate>Thu, 04 Nov 2010 13:47:47 +0000</pubDate>
		<dc:creator>PeterBjuhr</dc:creator>
				<category><![CDATA[recent works]]></category>

		<guid isPermaLink="false">http://composerpeterbjuhr.com/works/?p=34</guid>
		<description><![CDATA[<table cellspacing="1" cellpadding="1">
<tr>
<td>
<table width="600" cellspacing="0" cellpadding="5" align="right"><tr valign="top">
<td width="250"></td>
<td width="450">
<br>
</td>
</tr>
<tr valign="top">
<td width="250"></td>
<td width="450"><b>Mental Journey</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2010<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">Recorder, Tenor saxophone, Banjo/Ukulele or Guitar, Viola.<br>
Prologue: Now, Going west, Going east or further west, Going back, Epilogue: Forward<br>
A piece about keeping an open mind against cultures and ideas that perhaps feels foreign in one way or another; in
this is also included to keep an open mind about the past and the future.<br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 9 min<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">ContemporarY Ensemble<br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">2010-11-14 Palladium, Malmö<br>
<br>
</td>
</tr><tr valign="top">
<td>Publisher:</td><td class="smallText"><a href="http://composerpeterbjuhr.com/works/?page_id=41" target="_blank">Not yet published. Request from composer.</a><br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></description>
			<content:encoded><![CDATA[<p>Eclectic piece which amounts to a mental jogging journey in both time and space.</p>
<table cellspacing="1" cellpadding="1">
<tr>
<td>
<table width="600" cellspacing="0" cellpadding="5" align="right"><tr valign="top">
<td width="250"></td>
<td width="450">
<br>
</td>
</tr>
<tr valign="top">
<td width="250"></td>
<td width="450"><b>Mental Journey</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2010<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">Recorder, Tenor saxophone, Banjo/Ukulele or Guitar, Viola.<br>
Prologue: Now, Going west, Going east or further west, Going back, Epilogue: Forward<br>
A piece about keeping an open mind against cultures and ideas that perhaps feels foreign in one way or another; in
this is also included to keep an open mind about the past and the future.<br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 9 min<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">ContemporarY Ensemble<br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">2010-11-14 Palladium, Malmö<br>
<br>
</td>
</tr><tr valign="top">
<td>Publisher:</td><td class="smallText"><a href="http://composerpeterbjuhr.com/works/?page_id=41" target="_blank">Not yet published. Request from composer.</a><br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></content:encoded>
			<wfw:commentRss>http://composerpeterbjuhr.com/works/?feed=rss2&#038;p=34</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>3PI &#8211; Four concertos for saxophone and chamber orchestra</title>
		<link>http://composerpeterbjuhr.com/works/?p=28</link>
		<comments>http://composerpeterbjuhr.com/works/?p=28#comments</comments>
		<pubDate>Wed, 21 Apr 2010 13:28:37 +0000</pubDate>
		<dc:creator>PeterBjuhr</dc:creator>
				<category><![CDATA[recent works]]></category>

		<guid isPermaLink="false">http://composerpeterbjuhr.com/works/?p=28</guid>
		<description><![CDATA[<table cellspacing="1" cellpadding="1">
<tr>
<td>
<table width="600" cellspacing="0" cellpadding="5" align="right"><tr valign="top">
<td width="250"></td>
<td width="450">
<br>
</td>
</tr>
<tr valign="top">
<td width="250"></td>
<td width="450"><b>3 Part Intervention</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2009-10<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">Part of a series with four concertos for each of the instruments in a saxophone quartet and chamber orchestra.<br>
Interference with baroque (soprano sax).<br> I. fantasia concertante, II. trio toccata, III. concerto gioioso.<br>
Soprano sax
and
chamber ensemble/orchestra
(alto flute, bass clarinet, vibraphone, percussion,
harpsichord and strings)<br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 18 min.<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">Johnny Hedlund<br>
<br>
</td>
</tr><tr valign="top">
<td>Commissioned by:</td>
<td class="smallText">Johnny Hedlund<br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">2010-04-20 Palladium, Malmö<br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></description>
			<content:encoded><![CDATA[<p>A series of four concertos for each of the instruments in a saxophone quartet and chamber orchestra, composed parallelly with similar form but different historical references.</p>
<table cellspacing="1" cellpadding="1">
<tr>
<td>
<table width="600" cellspacing="0" cellpadding="5" align="right"><tr valign="top">
<td width="250"></td>
<td width="450">
<br>
</td>
</tr>
<tr valign="top">
<td width="250"></td>
<td width="450"><b>3 Part Intervention</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2009-10<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">Part of a series with four concertos for each of the instruments in a saxophone quartet and chamber orchestra.<br>
Interference with baroque (soprano sax).<br> I. fantasia concertante, II. trio toccata, III. concerto gioioso.<br>
Soprano sax
and
chamber ensemble/orchestra
(alto flute, bass clarinet, vibraphone, percussion,
harpsichord and strings)<br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 18 min.<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">Johnny Hedlund<br>
<br>
</td>
</tr><tr valign="top">
<td>Commissioned by:</td>
<td class="smallText">Johnny Hedlund<br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">2010-04-20 Palladium, Malmö<br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></content:encoded>
			<wfw:commentRss>http://composerpeterbjuhr.com/works/?feed=rss2&#038;p=28</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>BriSiCoApPe</title>
		<link>http://composerpeterbjuhr.com/works/?p=19</link>
		<comments>http://composerpeterbjuhr.com/works/?p=19#comments</comments>
		<pubDate>Thu, 11 Mar 2010 10:10:30 +0000</pubDate>
		<dc:creator>PeterBjuhr</dc:creator>
				<category><![CDATA[recent works]]></category>

		<guid isPermaLink="false">http://composerpeterbjuhr.com/works/?p=19</guid>
		<description><![CDATA[<table cellspacing="1" cellpadding="1">
<tr>
<td>
<table width="600" cellspacing="0" cellpadding="5" align="right"><tr valign="top">
<td width="250"></td>
<td width="450">
<br>
</td>
</tr>
<tr valign="top">
<td width="250"></td>
<td width="450"><b>BriSiCoApPe</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2009<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">Trumpet, baritone sax, clarinet, cello, piano, percussion and tape<br>
Piece in five sections which each reflects a different trait in postmodern art: <br>1. Bricolage (using whatever happens to be available) - the percussionist is using available stuff. <br>2. Simplification - simplified and minimalistic using only a few notes and durations.<br>3. Collage - short contrasting musical fragments with references to different styles.<br>4. Appropriation (taking possession) - borrowing from older styles of music.<br>5. Performance - performing words and very short sections with pop references.<br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 10 min<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">Nordic Fusion 6<br>
<br>
</td>
</tr><tr valign="top">
<td>Commissioned by:</td>
<td class="smallText">Nordic Fusion 6<br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">Tromsø, KontAk-festivalen, 2010-03-05<br>
<br>
</td>
</tr><tr valign="top">
<td>Publisher:</td><td class="smallText"><a href="http://www.mic.se/avd/mic/prod/micv5.nsf/docsbycodename/single_object!OpenDocument&external=http://www.mic.se/avd/mic/prod/musiklass.nsf/V5SiteSearchSwe/8E7D50EFA90916F7C12576D3004FCBF5" target="_blank">SMIC</a><br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></description>
			<content:encoded><![CDATA[<p>Incorporating ideas from modern art; inspired by a description of postmodern art. Written for the exciting Swedish/Norwegian ensemble Nordic Fusion 6.</p>
<table cellspacing="1" cellpadding="1">
<tr>
<td>
<table width="600" cellspacing="0" cellpadding="5" align="right"><tr valign="top">
<td width="250"></td>
<td width="450">
<br>
</td>
</tr>
<tr valign="top">
<td width="250"></td>
<td width="450"><b>BriSiCoApPe</b><br>
<br>
</td>
</tr>
<tr valign="top">
<td>Creation Year:</td>
<td class="smallText">2009<br>
<br>
</td>
</tr>
<tr valign="top">
<td class="TDuserTabLeft">Description:</td>
<td class="smallText">Trumpet, baritone sax, clarinet, cello, piano, percussion and tape<br>
Piece in five sections which each reflects a different trait in postmodern art: <br>1. Bricolage (using whatever happens to be available) - the percussionist is using available stuff. <br>2. Simplification - simplified and minimalistic using only a few notes and durations.<br>3. Collage - short contrasting musical fragments with references to different styles.<br>4. Appropriation (taking possession) - borrowing from older styles of music.<br>5. Performance - performing words and very short sections with pop references.<br>
<br>
</td>
</tr>
<tr valign="top">
<td>Duration:</td>
<td class="smallText">ca 10 min<br>
<br>
</td>
</tr><tr valign="top">
<td class="TDuserTabLeft">Written for:</td>
<td class="smallText">Nordic Fusion 6<br>
<br>
</td>
</tr><tr valign="top">
<td>Commissioned by:</td>
<td class="smallText">Nordic Fusion 6<br>
<br>
</td>
</tr><tr valign="top">
<td>First performance:</td>
<td class="smallText">Tromsø, KontAk-festivalen, 2010-03-05<br>
<br>
</td>
</tr><tr valign="top">
<td>Publisher:</td><td class="smallText"><a href="http://www.mic.se/avd/mic/prod/micv5.nsf/docsbycodename/single_object!OpenDocument&external=http://www.mic.se/avd/mic/prod/musiklass.nsf/V5SiteSearchSwe/8E7D50EFA90916F7C12576D3004FCBF5" target="_blank">SMIC</a><br>
<br>
</td>
</tr></table>
</td>
</tr>
</table>]]></content:encoded>
			<wfw:commentRss>http://composerpeterbjuhr.com/works/?feed=rss2&#038;p=19</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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